Isolated Everywhere But Home
Industrialization
and colonialism have its consequences. The growth of the modern urban
metropolis, of the world’s largest cities in their current incarnation has its
roots on plantations in the rural agricultural land of the United States, South
America, and the West Indies, as well as other countries all over the world.
The materials, minerals, and food that come from these countries, these extracted
resources, go to build these cities, bastions of materialism and arbiters of
the new global economy. These lands, although being perpetually exploited, have
plentiful resources but when those resources are extracted then rationed it
leaves those nations impoverished, a necessary condition that is a consequence
of capitalistic industrialization. Another consequence of industrialization is
not just the movement of resources but also the movement of people that attempt
to follow the resources to these economic commerce centers. Once on the shores
of this new land they are subject to understandable concern about the reasons
and conditions for this mass migration from honest worry to racism and
xenophobia, which explicitly isolates the migrant group not only from access to
any valuable amount of what was built from those resources but from the
populous of the new culture they are entering.
The
isolation from the dominant society can be greatly offset by the connections
you build with the migrants who have similar cultural roots and a similar
experience when attempting to integrate into the new society. Despite, the
individual motives and influences of the people they necessarily rely upon each
other for survival, this group is isolated together. In Samuel Selvon’s novel The
Lonely Londoners, the author uses the title as well as the cultural differences
of the characters, specifically the language they speak, not only to relate the
isolation of the migrant group from the society in which they are
contextualized but also the necessity of the language’s use and understanding
for the migrant groups collective survival.
First
it must be established that the migrants are in fact Londoners. The novel
establishes this by first relaying to the reader that migrants from the West
Indies were considered subjects of the crown and also, that they are able to
vote and participate in the political processes in London; “We had better
chances when the Socialists was in power, you know. You ever vote?’ […] ‘I
suspect Harris, you know. He tell me Labour, but I have a mind he is a Tory at
heart’” (133, 134). The fact that the characters can be involved in politics
and influence the politics of London and of Britain are huge indicators of them
being apart of London society. The migrants actually being knowledgeable and
caring about politics in London establishes that they do care about the
possible ways in which their community or their lives can be changed.
Despite,
experiences that were initially very isolating like when Galahad first arrives
in London and his first morning on his own in the big city “[...] he look up, the
colour of the sky so desolate it make him more frighten. It have a kind of
melancholy aspect about the morning that making him shiver” (42). He conquers
those initial jitters he eventually realizes “I had a feeling to go back too,
nut I forget about it. It ain’t have no prospects back home, boy” (130). London
is Galahad’s new home and where he chooses to survive. Furthermore, despite
also, thoughts by fellow migrant Bart who “Many nights he think about how so
many West Indians coming, and it give him more fear than it give the
Englishman, (he) frighten if they make things hard in Brit’n” and still “door
slam in Bart face and Bart boil down and come like one of the boys” (61, 63). The
characters cannot leave their culture behind because they are constantly being
reminded of their differences by the dominant society, no matter how hard they try.
The characters, like Bart’s troubling thoughts about his people, do not
completely warm up to each other and they recognize each other’s faults but
they still have community. They are around each other constantly and absolve
the isolating experiences by retreating back to the community that they are
necessarily forming. The characters are attempting in their own individual way
to make a life in London separate from each other but what they have really done
is build a community.
The
community being built is not just an immigrant community of aliens but they are
members of London society not simply because of political status or location.
The characters have their own stories and their own lives that are apart of the
fabric of London society. The long sentence in the middle of the novel
expresses how sometimes they get so wrapped up in life that they barely get to
think about or appreciate home. Towards the beginning of the sentence is an
expression of how London is not just a city isolating them but it also a city
where they are making a life, “to tell truth winter don’t make much difference
to some of the boys they blazing left and right as usual all the year round”
(102). The migrants were still working as usual with no time to acknowledge or
admire the city around them because they are in the throes of surviving within
it. But despite all commotion and all the situations that make each individual
life unique and busy like when “the Jamaican fellar get vex and he stop and say
why the hell you call me a black bastard and he thump the woman and went away
all these things happen in the blazing summer under the trees in the park on
the grass […] and everybody hustling that is life in London” (109). Life goes
back to normal. Those individual instances though jarring and upsetting do not
exile them from society. They just push them closer together. The society may
be harsh to them but the migrants still have their place in the city and
appreciate the beauty in the city. It is not just simply comparing London to
whatever homeland in the West Indies, it is about maneuvering and finding a
valuable space in society. It is about living a life and finding the best ways
to survive in a society that is having a hard time accepting them.
Furthermore,
Moses expresses “This is a lonely miserable city, if it was that we didn’t get
together now and then to talk about things back home, we would suffer life
Hell. Here is not like home where you have friends all about” (130). Ensuring
that they get together, and relate to each other about home and their everyday
life in London ensures some connection to their culture. Moses says that the
city is miserable but complains that his home is always filled with people who
are seemingly taking advantage of him but they are really the family that he longs
for. The life and general cultural differences that the work is constantly
divulging are present in the individuals who make up this newly forming community.
The
migrant group from the West Indies are certainly Londoners and the dominant
society has forced them to accept their place in the society even if it is as a
culture in which they truly do not identify; “English people believe that
everybody who come from the West Indies come from Jamaica” (28). This is greatly juxtaposed with the
relationships the migrant men build with women who the reader knows is from
some distinct European culture and is not just lumped in under one category
like the West Indians. The migrants must maneuver within that newly forming
space. That also gives the migrants a tool to isolate themselves from society.
The isolation is working on two fronts. The dominant society is segregating the
community and the new community of Londoners, no matter from what part of the
West Indies, is using language; language that is not only connecting the
individual West Indian cultures and allowing them to communicate with each
other but also it conceals them from the dominate society.
Galahad
goes on a date with a white English woman and she admits, “What did you say?
You know it will take me some time to understand everything you say. The way
you West Indians speak!” Galahad replies, “What wrong with it? […] Is English
we speaking” (93). Galahad is oblivious to his own knowledge of the language he
is speaking because of how he is culturally isolated from the greater society.
He believes that because he is using English words to communicate that he is
speaking the English as a native Londoner and not a dialect created by the
group he inhabits.
The character Big City personifies this with
the way he speaks as the narrator who it is safe to say eventually absorbs all
of the language he uses is apart of the community because he speaks the same language
as the migrant group. Cap says, “Listen to that sharp piece of fusic by
Mantovanee, Moses,” Moses responds, “Man Big City, the word is ‘music’ not
‘fusic, Big City retorts, “Ah, you only trying to tie me up. You think I don’t
know English?” Moses chastises Big City for his troubling grasp of the English
language but the narrator reinforces Big City’s understanding of the language
when the narrator integrates Big City’s vernacular into the description of
events (94). The narrator follows Moses chastisement, “When Big City get big he
left the norphanage and he went in the army in Trinidad” (94). This does not
only include the narrator into the newly forming community it furthers the
evolution of the language they are creating. It does not matter if the native
English understand them it matters that the people in their community
understand them.
The
migrants do not really have access to the resources that they are following
from the West Indies to Britain. They essentially are travelling to another
land for the hope of an opportunity to gain access to capital that will better
their conditions in the world. What the migrants do have is a newly forming
community with their own culture and language that is unique to the community
that they are entering. It may matter economically and socially that most of
London finds their presence in the city at the very least disconcerting and
decides to keep them out of certain spaces. It does not matter culturally. The
book is not titled “The Lonely Londoners” simply to separate the migrant groups
from London society, but to connect the migrant groups to each other.
Bibliography:
Selvon, Samuel. The Lonely Londoners. Out of Print.
Bibliography:
Selvon, Samuel. The Lonely Londoners. Out of Print.
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